— Roger W. Smith
April 2024
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an editorial comment
The arrangement is corny (annoying), but you can’t beat Burl Ives.
— posted by Roger W. Smith
Dreiser to Richad Duffy 11-18-1901
Dreiser to Richard Duffy 11-18-1901
Posted here, Dreiser’s letter to his friend Richard Duffy, dated November, 18, 1901.
Richard Duffy (1873-1949) was an editor at Ainslee’s’ Magazine.
Note that Dreiser says;
I next secured a place with Hibbard, Spencer, Bartlett and Co-wholesale hardware as clerk and earned five a week. While working here a year I discovered I could go to College for a year, for $200 and made an arrangement with a friend of mine to advance me half of this. The rest I earned and in 1889 adjourned to Bloomington and nugaure state again.
This contradicts Dreiser’s own account – in Dawn — that his teacher Mildred Fielding paid for his college expenses.
— posted by Roger W. Smith
April 2024
A couple of emails about the Gillette murder case today and a discussion with my wife got me thinking about Dreiser and his novels.
The chief influence on Dreiser the novelist — at the outset — was Balzac, not Zola. The influence of novels like The Wild Ass’s Skin and Père Goriot was immense.
It has been long known that Sister Carrie was Dreiser’s reworking of true story involving his sister Emma and Lorenzo A. Hopkins, the prototype of George Hurstwood.
The story was not an obscure one. Hopkins’s theft from his employer Chapin & Gore (not Fitzgerald and Moy’s, as most people who get their facts from Dreiser’s novel assume) was headline news at the time.
It will probably sound as if I am showing off, but it is apparent to me how often it’s the case that literary scholars and biographers never go much deeper than the author’s works and published information — i.e., secondary sources — in their research; never look elsewhere for critical information.
This was the case with my discoveries about Lorenzo A. Hopkins — the real George Hurstwood. He died in Brooklyn, where he was working as a bartender. He did not go back to his wife in Chicago, as some writers have speculated. (Most biographers, to their credit, dismissed this.)
He had one daughter about whom I found some facts in census and other records, including her marriage record. Her name was Maria and she was married in 1900 at the age of 30. She would have been age 19 at the time of Hopkins’s theft.
No one ever bothered to find out what happened to the real Mrs. Hurstwood: Margaret (Menkler) Hopkins. I found two key records: her suit for divorce from Hopkins; and her subsequent marriage to Alfred D. Lutz, president of the Acme Copying Company in Chicago, in 1892.
Margaret Lutz was murdered by Alfred Lutz’s brother Charles in 1900, subsequent to a dispute he had with Maragret and his brother Charles over his employment at the firm. Margaret took an active interest in the business.
None of this was known before.
No one bothered to try and find the real identity of “Don Ashley” — the lover, in Warsaw, Indiana, of Theodore Dreiser’s jilted sister Sylvia — or the death of Sylvia’s abandoned son Carl Dresser, a bellhop, in Chicago; and possible connections (in Dreiser’s mind) with the fictional Chicago bellhop Clyde Griffiths, and perhaps, in Carl’s mind (he died of asphyxiation from illuminating gas), with Hurstwood’s suicide in Sister Carrie.
Marie Pergain and the toothpick incident
There is loads of information about her. She was a lounge singer and (briefly) a concert pianist; a silent movie actress; and the lover of the Hungarian pianist Ervin Nyiregyházi, whom both Deriser and Helen knew well.
“Marie Pergain—possibly a fictitious name” — Swanberg
“Marie Pergain, probably a pseudonym” — Lingeman
“Miss Pergain’s identity has been a mystery, with many commentators on Dreiser’s Harlan experience holding that since she doesn’t seem to exist outside of that occasion, her name is probably a pseudonym. The mystery has been cleared up. …” — Donald Pizer, “John Dos Passos and Harlan: Three Variations on a Theme,” Arizona Quarterly, Spring 2015
(No acknowledgment of my groundbreaking article.)
“A platinum-blonde Hollywood bit player in the late 1920s who was also a serious student of the piano, Marie Pergain (1911–51) was Nyiregyházi’s mistress in Los Angeles for several years. She met Dreiser in New York in 1930 and began a relationship with him that lasted until early 1932.” — Pizer, Op. cit.
Pizer jauntily throws out these facts, as if they were discovered by him. He barley acknowledges his sources.
— posted by Roger W Smith
April 2024
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See:
Lorenzo A. Hopkins (the real George Hurstwood)
Roger W. Smith, “The Real Julia Hurstwood and the Lutz Murder Case”
Roger W. Smith, “The Real Julia Hurstwood and the Lutz Murder Case”
Roger W. Smith, “Dreiser’s Nephew Carl”
Roger W. Smith, “Theodore Dreiser, Ervin Nyiregyházi, Helen Richardson, and Marie Pergain”
Roger W. Smith, “Theodore Dreiser, Ervin Nyiregyházi, Helen Richardson, and Marie Pergain”
Gov. Hughes recollection Gillette confessed – Plattsburgh Sent July-Sept 1909
Posted here:
“Echo of the Gillette Case: Governor’s Mind Eased by Confession”
The Plattsburgh (NY) Sentinel
August 13, 1909
Charles Evans Hughes (1862-1948) was an American statesman and jurist. He served as governor of New York 1907-1910), associate justice of the Supreme Court (1910–1916), and chief justice (1930-1941).
— posted by Roger W. Smith
April 2024
‘In Electric Chair’ – Nashville American 5-31-1908
Posted here:
In Electric Chair
Chester Gillette Died for Murder of Grace Brown, Which He Confessed
The Nashville American
May 31, 1908
— posted by Roger W. Smith
April 2024
See attached PDFs (below).
Jack Dvorak, ‘May Calvert, Dreiser’s Lifelong Teacher’
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addendum
Reading Dreiser’s Dawn — in this case looking for his version of specific events in his life — I can’t help but think of what it meant to be an immigrant in those times. His parents — his father German, his mother Moravian — were old fashioned and uncomfortable with many aspects of American life and customs.
Their children became thoroughly American. Theodore Dreiser’s boyhood and schooling do not sound that different from that of mine and the kids I knew growing up.
— posted by Roger W. Smith
March 2024
Cynthia Ozick review of Lingeman bio, vol. 1 – NYTBR 11-9-1986
posted here as a PDF document:
Cynthia Ozick
review of Theodore Dreiser: At the Gates of the City, 1871–1907, by Richard Lingeman
The New York Times Book Review
November 9, 1986
A revised version of Tobias Picker’s opera An American Tragedy (which I attended) – based on the Dreiser novel – was performed by the Glimmerglass Festival in Cooperstown, NY from July 20 to August 24, 2014.
The production was directed by Peter Kazaras and conducted by George Manahan; set design by Alexander Dodge, costume design by Anya Klepikov, choreography by Eric Sean Fogel, and lighting by Robert Wierzel.
Picker’s opera premiered at the Metropolitan Opera in 2005. I attended three performances, and had the opportunity to converse with author Craig Brandon, an authority on the Chester Gillette case, during an intermission.
I am posting here (below) the program for the 2014 Glimmerglass production. Also, an article by Steven Jude Tietjen, who toured sites related to the Chester Gillette case.
— posted by Roger W. Smith
February 2024